1973, Duke El- lington could remark with pleasure that it had become "difficult to decide where jazz starts or where it stops, where Tin Pan Al- ley begins and jazz ends, or even where the borderline lies between classical music and jazz."
Mirk's Heresy "Mir6's Paradox: What Happened After 'the Death of Painting'" Hilton Kramer, in The New Criterion (Jan. 1989), 850 Sev-enth Ave., New York, N.Y. 10019.
"I want to assassinate" painting, Joan Mir6 in his devotion to...