Dressed for Success

Dressed for Success

Susan S. Bean, in Parabola (Fall 19941,656 Broadway, New York, N.Y. 10012.In the familiar photographs, Mohandas K. Gandhi (1869-1948) is clad in only a loin- cloth and, sometimes, a chaddar (shawl). The clothes did not exactly make the man, but they certainly helped to make the man the Mahatma (great soul), writes Bean, chief cu- rator of the Peabody Museum in Salem, Massachusetts.Gandhi's choice of garb, she says, came only after much experience, some of it un- pleasant, with the social and...

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Dressed for Success

"The Fabric of Independence" by Susan S. Bean, in Parabola (Fall 19941,656 Broadway, New York, N.Y. 10012.

In the familiar photographs, Mohandas K. Gandhi (1869-1948) is clad in only a loin- cloth and, sometimes, a chaddar (shawl). The clothes did not exactly make the man, but they certainly helped to make the man the Mahatma (great soul), writes Bean, chief cu- rator of the Peabody Museum in Salem, Massachusetts.

Gandhi's choice of garb, she says, came only after much experience, some of it un- pleasant, with the social and political mean- ings of clothing. Arriving in England in 1888 to study law, Gandhi wore white flannels- only to discover to his embarrassment that they were not worn in late September. Soon he jettisoned his Bombay-style clothing for an evening suit from Bond Street, patent leather shoes with spats, and a high silk hat.

In 1893 Gandhi moved to South Africa, where he "confronted his indelible Indianness," Bean writes. Advised that Hin- dus visiting the Durban court had to remove their turbans, Gandhi decided to keep his, but to balance it with a fashionable English suit. He was soon reminded that clothes could not make him a full citizen of the Brit- ish Empire. Despite his sartorial splendor, he was thrown off a train to Pretoria a few days later for traveling first class.

When he arrived in India from England in 1915, Gandhi "was dressed as a Kathiawari (Gujarat) peasant, in dhoti [loincloth], angar-kha (robe), upper cloth, and turban, the most thoroughly Indian of his costumes." His at- tire identified his region of origin, class, and religion. Precisely because it was so authen- tically Indian, however, it proved inad- equate. Gandhi needed clothing that would symbolically. transcend divisions among rich and poor, Hindu, Sikh, and Muslim.

His final costume change took place in 1921, when he was the dominant figure on India's political stage. His program of non- violent noncooperation with the British in- cluded a boycott of British manufactures.

Gandhi, in his characteristic garb, arrives in England in 1931 for Round Table Conference with British.

Khadi (homespun) was scarce and expen- sive, so he urged Indians to follow his ex- ample and wear as little clothing as one de- cently could. As he later put it: "[Insofar] as the loincloth . . . spells simplicity let it rep- resent ~ndia'n civilization." No longer the English gentleman, Gandhi was now the Indian ascetic and holy man, the Mahatma.

"Engaged in the simple labor of spinning, dressed as one of the poor in loincloth and chaddar," Bean writes, "this important and powerful man communicated the dignity of poverty, the dignity of labor, the equality of all Indians, and the greatness of Indian civi- lization, as well as his own saintliness." And when he visited the viceroy in 1921-and a decade later, attended the Round Table Con- ference in London and visited the king and queen in Buckingham Palace-his mahatma garb conveyed a new message of power.

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